“Cross in Memory of Stephen Clare.” (1895) |
“The Maude Cross.” (1895) |
“Cross in Memory of John A. Smith.” (1895) |
American Stone Books, Ian Berke Collection – Books made of stone. (Used with Permission. Once you reach Ian’s American Stone Book web site, scroll down to see his beautiful collection of stone books.)
As of July 2015, there are photographs of about 365 stone books presented on Ian Berke’s American Stone Book web site. These stone books displayed on his web site are in his collection, and he states he will continue to add to the collection and web site.
According to Ian Berke:
“Carved stone books are a fascinating and unusual form of American folk art. They were given as tokens of affection, and the most interesting have inscriptions and carving. Often there are first names, usually female. Full names are much less common presumably because the giver likely knew the recipient well. Dates appear as well, which indicates the popularity of these books decade by decade. The first American stone books show up about 1860, including books carved by soldiers during the Civil War, but seem to be most popular from 1870 to 1900. The latest in this collection is from 1931. Judging from the quality of much of the carving, many books were probably made by professional stonecutters or monument makers. Others were obviously done by amateurs. Some were intended as souvenirs, to be sold to tourists at attractions such as Garden of the Gods (Colorado).
“Typically the books were carved from marble, often white, because it was widely available and easy to carve compared with igneous rocks. Slate, sandstone, limestone, agate, and pipestone are also seen….”
A much longer article entitled “Carved in Stone: American Stone Books,” by Ian Berke, published in the April 2015 issue of the Maine Antique Digest, is available.
“An Historic Epitaph Book Inherited by an English Monument Firm,” The Monumental News, Vol. XIX, No. 2, February 1907, pp. 171-172.
The article begins: “Mr. Frank Watts, a monument dealer in London, sends us an interesting and unique old book of hand-written epitaphs, that was used several generations ago in the business now conducted by Mr. Watts before epitaphs books began to be printed.
“It is an historic old volume, faded and ragged with age, and contains some of the originals of the quaint old English epitaphs, man of which have been seen in the old cemeteries in this country….”
“Celtic headtones in Scotland and Wales.” (p p. 274) |
“Erect cross slab in Aberlemno churchyard.” ( pp. 276) |
“Vine Scrolls, S. Apollinare Nuovo, Ravenna.” & “Key Pattern, Ravenna.” (pp. 274) |
The article begins: “The ancient church and cemetery of the Saints-Innocents of Paris was one of the most celebrated monuments of the medieval city, and in the details of its history may be found some of the most striking characteristics of the manners and customs of the so-called dark ages….”
According to this article: “The subject of this sketch, Mr. Charles B. Canfield, was born in Hartford, Connecticut… and his connection with the monumental business dates back from 1852, when he began as bookkeeper and salesman in an establishment in the city of his birth, in which he subsequently became a partner, under the firm name of Batterson, Canfield, Co.
“From those days up to present - when as proprietor of the New England Monument Co., New York City, he has become known to a wide circle of friends and business acquaintance, he has been a busy man, travelling unrecorded thousands of miles from east to west and from north to south of his own broad land, besides making several trips abroad….”
“Passing to his work…no other designer has produced so many designs that have become…standard…Take for instance the ‘Probasco’ sarcophagus, the ‘Murphy’ and Wilshire’ obelisks, the ‘Ringold’ statue and pedestal, all in Spring Grove Cemetery, Cincinnati, Ohio, and all dating back twenty-five years or more….”
“That Mr. Canfield has progress in his art, the same argument may be cited and applied to the ‘Goodrich’ obelisk, in Rose Hill Cemetery, Chicago….”
“Lucy J. Daniel (1865 - ?),” by Abby Burnett, Encyclopedia of Arkansas History & Culture, updated 2011
Front cover of the F. C. Eaton, Barre, Vermont, monumental catalog |
Inside front cover listing the companies whose monuments are included in this catalog |
Front cover of F. Barnicoat Statuary and Monument Catalog, 1903 (pdf) |
One of the monuments presented in the F. Barnicoat Catalog (pdf) |
Examples of statuary presented in the F. Barnicoat Catalog (pdf) |
“Foundations” (in Monumental Work), (Scroll down to the 2nd article.) in The Monumental News, Vol. 7, No. 7, July 1895, pp. 423-424.
This article on “Foundations” begins as follows: “in the erection of monumental work there is no generally accepted standard for foundations. Modern cemeteries have adopted rules and regulations governing their construction, but they differ so widely….”
Foundations in Monumental Work – Examples A & B (1895) |
Foundations in Monumental Work – Examples C & D (1895) |
Foundations in Monumental Work – Examples E & F (1895) |
Foundations in Monumental Work – Example G (1895) |
Granite, Vol. XII, No. 1, January 1902, A. M. Hunt & Co., Publishers, 131 Devonshire St., Boston, Mass.
Front cover of Granite magazine, January 1902 |
The Troy White Granite Co. advertisement in of Granite magazine, January 1902 |
The Beecher cemetery monument in of Granite magazine, January 1902 |
Granite Marble & Bronze Magazine – Memorial Art, by Hugo Elliott, Cambridge, Granite, Marble & Bronze, Massachusetts, The Warren Publications Press, 1923. (The following quotation is from the Forward in this book: “The material contained in the following pages was first published in monthly installments in Granite Marble & Bronze….”) (Available on the Internet Archive)
Gravestone Symbolism, on TheCemeteryClub.com web site.
Gravestone Symbolism, presented on the Grave Addiction web site.
Gravestone Symbol Images, on Bing
Gravestone Symbols and Their Meanings, presented on the Ringgold County, Iowa, CAGenWeb Project web site.
Gravestone Symbols and Carvings – Meaning and Inspiration, Posted 06/01/15 in The Headstone Guide, by Fergus Wessel, Stoneletters Studio, Oxfordshire, UK
Tombstone Symbols & their Meanings, presented on the United States Genealogy & History Network
Front cover |
Religious statues available from the Vermont Marble Co. Marble Statuary brochure |
“Marble for the Church” & the Vermont Marble Company office and plant locations |
Chapters in this book include: “Famous Ancient Memorials,” “The Mausoleums of the World, ” “The Sarcophagus,” “The Exedra in Memorial Design,” “The Cross,” “The Tablet,” “Sculpture and Its Relation to The Present,” “The Obelisk and Square Monument,” “Architectural Orders in Monumental Work,” “Suggestions on Lettering,” “Mouldings and Comparison or Architectural Orders,” and “Glossary.”
“From the most remote periods of civilization stone has been used to perpetuate the memory of individuals or to immortalize their noble achievements. Ancient memorials ranged from simple piles of stone (cairns), or single markers, to great obelisks and pyramids or magnificent mausoleums. The Taj Mahal at Agra, India, built of white marble by Shah Jehan in memory of the Empress Mumtez Mahal, is one of the most beautiful and costly memorials ever built. It was erected between 1632 and 1650 at an estimated cost of $50,000,000 or more and is today an object of unusual interest for travelers. Other magnificent memorials both ancient and modern are to be found in many lands....”
This article includes the historical need to mass produce the Civil War headstones rather than by individual stone carvers. Contracts for the headstones and bases were given out to several different quarries and companies in Vermont, Massachusetts, New York, Pennsylvania, Kansas, and Tennessee. The need for large numbers of markers also increased the use of the sandblasting process to speed up carving the names on the stones. Both mass production the sandblasting process caused great changes in the work of the stone carvers, which led to demands by the stone workers’ unions, such as the eight-hour work day.)
Front cover of the Michaels Bronze Tablets Catalog (circa 1932) |
No. 454 Bronze Plaque |
The Standard Tablet Letter Patterns Chart |
“Nick Miller (1846 – 1898),” by Abby Burnett, Encyclopedia of Arkansas History & Culture, updated 2009
(Description from Google Books) “Since prehistoric times, the process of cutting rock to make millstones has been one of the most important industries in the world. The earliest rotary millstones, known as querns, were turned by human power. Later, larger millstones were manufactured that required animal, water, or wind power to turn them. These larger millstones required less human effort and ground greater quantities of grain, but also required regular maintenance and replacement. As a result, millstone quarries increased greatly in number and size in the late 19th and early 20th centuries, with the largest quarry sites extending as far as nearly a half-mile square to about 12 square miles. The first part of this book compiles information on the millstone industry in the United States, which dates between the mid-1600s and the mid-1900s. Primarily based on archival research and brief accounts published in geological and historical volumes, it focuses on conglomerate, granite, flint, quartzite, gneiss, and sandstone quarries in different regions and states. The second part focuses on the millstone quarrying industry in Europe and other areas. Of the European millstone industry, the quarries of France, Germany, and Great Britain are most extensively documented, although the quarries of Albania, Austria, the Czech Republic, Greece, Hungary, Italy, Luxembourg, Norway, Slovenia, Spain, Sweden, and Switzerland are also covered. The extensive bibliography provides scholars with many sources for future research. The book includes 84 photographs, 16 tables, and a helpful glossary of specialized and technical terms.”
“Entrance to Monumental Cemetery, Milan, Italy,” in "The Monumental News," Nov. 1895 |
“View in Monumental Cemetery, Milan” Italy, in "The Monumental News," Nov. 1895 |
“From a monument in Monumental Cemetery, Milan” Italy, in "The Monumental News," Nov. 1895 |
“Monument in the Monumental Cemetery, Milan” Italy, in "The Monumental News," Nov. 1895 |
“Monumental Design and Memorial Art,” Part XIII, Granite, Marble & Bronze, Vol. XXVII, No. 7, July 1917, pp. 22-26.
The article begins: “In the ‘Better Headstone Number’ of ‘Granite Marble & Bronze’ (issue of November, 1916) some general considerations concerning the headstone were given. These should, to take the proper place in this series, appear here. Architectural details – mouldings, the column, the arch, etc. – have been discussed, followed by the articles on lettering and ornament. These matters, which more or less concern all memorials, having been disposed of the different types of funerary monuments can finally be discussed in detail….”
“Colonial headstone, Granary Burying Ground, Boston, Mass. (Photo by Frank Cousins Art Co.)” |
“Colonial headstone, Granary Burying Ground, Boston, Mass. (Photo by Frank Cousins Art Co.)” |
The following thumbnail images are of the “Content” pages for each individual issue for 1892 of The Monumental News Magazine. (Click on the links in the paragraph above to access the full issues in PDF. Peggy B. Perazzo)
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The following thumbnail images are of the “Content” pages for each individual issue for 1893 of The Monumental News Magazine. (Click on the links in the paragraph above to access the full issues in PDF. Peggy B. Perazzo)
The following thumbnail images are of the “Content” pages for each individual issue for 1895 of The Monumental News Magazine. Only the issues for January & April through December contain a “Contents” section.(Click on the links in the paragraph above to access the full issues in PDF. Peggy B. Perazzo)
The following thumbnail images are of the “Content” pages for each individual issue for 1896 of The Monumental News Magazine. (Click on the links in the paragraph above to access the full issues in PDF.)
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Front cover of Monuments..For The Ages |
“Symbols and Their Meaning” section of Monuments..For The Ages |
One of the pages from Monuments.. For The Ages |
Front page of Personality in Memorials, Marker Catalog No. 106, Comolli Granite Co., Elberton, Georgia |
Page 2 of Personality |
Page 17 of Personality |
Front cover of A Plant and Its Product, published by the Drew Daniels Granite Co., Waterbury, Vermont ( circa 1910) |
The Heald cemetery memorial design in A Plant and Its Product, published by the Drew Daniels Granite Co., Waterbury, Vt. |
“Principles of Greek Memorial Art,” A Review of ‘The Principles of Greek Art,’ by Percy Gardner, Litt. D., Published by The Mcmillan Company, New York,” The Monumental News, Vol. XXIX, No. 5, May 1917, pp. 278-279.
The article begins:
“The message of Greek art exercises a wide influence in the field of American stone-craft – perhaps to a greater extent than is true of any other branch of applied art. The fine simplicity, purity and regularity of Grecian architecture and its ornamentation, makes a strong appeal to the American, and the growing demand for fine lines and architectural simplicity in our Memorials encourages the designer to improve his understanding of the character and development of Greek art….”
(photo captions) “This memorial of grace and beauty is the work of the Tayntor Granite Co., New York City.” “This Snader memorial is the work of the Edward A. Carroll Co., Philadelphia, PA.” “Detail of carving on the Seabury monument, which was recently erected by the Tayntor Granite Co., New York City.” “Memorial of classic style, erected by the Hinman-Boynton Granite Co., Syracuse, N. Y.” “Crosses designed and erected by the Detwiler’s Marble Works, Phoenixville, PA.” “Memorial designed and erected by the Rosebrough Monument Co., St. Louis, Missouri.” “Monument of good proportions erected by W. Y. Haldy & Sons, Lancaster, PA.” “Interesting memorial erected by George A. Detwiler, Detwiler’s Marble Works, Phownixville, Pennslvania.”“Cross erected by the Sears Monument Co., Charleston, West Virginia.” “Monument designed and erected by C. Rogers Smith, Middletown, New York.” “Mausoleum of refined detail designed and erected by Edward A. Carroll Co., Philadelphia, Pennsylvania.” “The Hinman-Boynton Granite Co., Syracuse, New York., designed and erected this interesting memorial of sarcophagus type.”
Front cover of Rock-Faced Monuments, 1919 |
One of the monuments presented in Rock-Faced Monuments, 1919 |
Another monument presented in Rock-Faced Monuments, 1919 |
“View of sheet metal statuary at W. H. Mullins Establishment, Salem, O.” (The Monumental News, January 1896, pp. 63) |
“Some Decoration Day Observations: A Consideration of Memorial Art as Exhibited in a Few Designs of Memorials Erected This Spring,” by L. A. Whitehouse, from Granite Marble & Bronze, February 1917, pp. 31-35.
(The article beings) “Before the close of the Civil War the 30th of May was observed as a holiday in several of the Southern states for the purpose of decorating with flags and flowers the graves of soldiers killed in the war. In the North there was no fixed day commonly celebrated until on May 5th, 1868, when Commander-in-Chief John A. Logan of the Grand Army of the Republic issued a general order designating the date ‘for the purpose of strewing with flowers and otherwise decorating the graves of comrades who died in defense of their country during the late rebellion…In 1882 the Grand Army urged that the ‘proper designation of May 30 is Memorial Day’ – not Decoration Day. However, no matter which way one may designate it, the day plays a big part in the pans of the monument man, and it is previous to this day, each year, that he erects many of his most highly prized achievements – the work to which he points for proof of his fitness to serve.
“Among the photographs of such work which have been brought to the attention of the writer that deserve special comment are many examples of good design and workmanship, as evidenced by the accompanying illustrations….”
“Stained Glass in Monumental Work,” in The Monumental News, February 1896, pp. 118-119.
Front cover of Symbols of Service, one of the monumental catalogs by the Vermont Marble Co., Prctor, Vermont |
“Grouped on this page are some of the more important emblems of the American Army.” |
Front page of the “Price List of the ‘Symbols of Service’ Designs” (Vermont Marble Co., 1919) |
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Three of the monuments in “Tombstones and Monuments,” Sears, Roebuck & Co., Chicago, Illinois, First Edition, circa 1906 |
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Wilson Memorial, Evergreen Cemetery, Colorado Springs, Colo. For the first city manager of Colorado Spring.
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Pillars Memorial, Garden of Memory, Fostoria, Ohio |
Old Vermont Marble Headstones |
Title page of the Vermont Marble Co. Price List of Monumental Marble, Effective Sept. 1, 1946 (Price List for Design Book #21) |
Pages 32 & 33 of the Vermont Marble Co. Price List of Monumental Marble, Effective Sept. 1, 1946 (Price List for Design Book #21) |
Pages 6 & 7 of the Vermont Marble Co. Price List of Monumental Marble, Effective Sept. 1, 1946 (Price List for Design Book #21) |
Front cover of the Vermont Marble Co. Wholesale Price List of Monumental Marble, Effective January 1, 1950 |
Index for the Vermont Marble Co. Wholesale Price List of Monumental Marble, Effective January 1, 1950 |
Pages 2 & 3 listing the varieties of monumental marble (Vermont Gray, Pittsford Valley, & Rutland White) in the Vermont Marble Co. Wholesale Price List of Monumental Marble, Effective January 1, 1950 |
Abstract: “Erhard Winkler noted the warping of marble tablets in the cemeteries of New Orleans in various editions of his classic work Stone: Properties, Durability in Man’s Environment, and others in the United States and Europe have noted and commented on the striking marble deformation seen in these and other cemeteries. This paper briefly reviews marble warping in New Orleans cemeteries and puts these observations into a larger context of marble warping in cemeteries in general (which is not rare but is generally not well documented) and into that of marble cladding used for buildings (which is well known and has become increasing well documented). This study also brings together disparate sources that discuss, note, or illustrate marble warping, particularly that in cemeteries.”
“Figure 1. Bowed (warped) marble in cemeteries….(b) Deformed marble gravestone and other less deformed gravestones in St. Peter’s Churchyard cemetery, Philadelphia….November 2011 photographs.” (From: Hannibal, 2015 (https://www.isgs.illinois.edu/research/industrial-minerals/forum). ©2015 University of Illinois Board of Trustees. All rights reserved. For permission information, contact the Illinois State Geological Survey.) |
“Figure 3. Warped closure tablets in New Orleans cemeteries….(d) S-shaped warping in Lafayette Cemetery No. 1, March 2011 photographs.” (From: Hannibal, 2015 (https://www.isgs.illinois.edu/research/industrial-minerals/forum). ©2015 University of Illinois Board of Trustees. All rights reserved. For permission information, contact the Illinois State Geological Survey.) |
Commercial use of material within this site is strictly prohibited. It is not to be captured, reworked, and placed inside another web site ©. All rights reserved. Peggy B. and George (Pat) Perazzo (deceased).