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Home > Quarry Articles, Links and Books > Throvgh the Ages Magazine - List of Articles > Article List - 1932

Throvgh the Ages Magazine Article List - 1932

(The articles listed below are located in various issues of Throvgh the Ages Magazine in 1932. Peggy B. Perazzo)

Throvgh the Ages Magazine, Vol. 9, No. 9, January, 1932.

(Photo caption) “Detail of entrance, to the all-marble Mayfield Mausoleum, Cleveland. Note the banded effect produced by having the Light Cherokee Georgia marble finished in different ways: the broad courses have an axed finish; the narrow ones a hone finish. Lovell & Lovell, Chicago, architects; Charles C. Colman, Cleveland, supervising architect.” (Frontispiece) (Ohio)

An Interesting Phase of Commercial Construction: The Jewel Tea Company, Inc., Relocates its Headquarters,” pp. 3-5.

(Photo caption) “Main lobby, Jewel Tea Co. Administration Building, Barrington, Ill.; Holabird & Root, Chicago, architects. The wall marble is Florido Cream.” pp. 4.

(Photo caption) “Typical lavoratory and toilet in the Jewel Tea Co. Building at Barrington, Ill. Waiscot, stalls, etc., are of Alabama marble.” pp. 5.

A Palace of Marble Studded with Glass and Bronze: The New Mayfield Mausoleum in Cleveland, Ohio, Has an Unusual ‘Banded’ Treatment on Both Exterior and Interior.” By Sidney Lovell and McDonald Lovell. (Mr. Charles C. Colman, of Cleveland, was supervising architect.) pp. 6-12.

(Photo caption) “Detail of entrance, to the all-marble Mayfield Mausoleum, Cleveland. Note the banded effect produced by having the Light Cherokee Georgia marble finished in different ways: the broad courses have an axed finish; the narrow ones a hone finish. Lovell & Lovell, Chicago, architects; Charles C. Colman, Cleveland, supervising architect.” (Frontispiece) (Ohio)

(Photo caption) “The exterior of Light Cherokee Georgia marble. The small courses have a hone finish; the large courses are axed finished." pp. 6.

(Photo caption) “Main entry corridor, looking toward the Chapel, in Mayfield Mausoleum, Cleveland. This interior is entirely of marble - Pink Tennessee and Cream A Alabama for the floors; Cream A and Veined Cream Alabama for the walls; and Cream A Alabama for the ceilings.” pp. 7.

(Photo caption) “Chapel in Mayfield Mausoleum, Cleveland, looking toward the pulpit. The room is practically all of marble.” pp. 8.

(Photo caption) “Stairway of Alabama marble, from chapel floor to second floor, in the Mayfield Mausoleum, Cleveland. ” pp. 9.

(Photo caption) “Looking down the head of the stairs, Mayfield Mausoleum. Note the beauty of the curved pieces of wall and window soffits, which fit perfectly.” pp. 10.

(Photo caption) “View from balcony in Mayfield Mausoleum, Cleveland; Lovell & Lovell, Chicago, architects; Charles C. Colman, Cleveland, supervising architect.” pp. 11.

(Photo caption) “Second floor corridor in Mayfield Mausoleum, looking toward the beautiful and skillfully executed tracery window. ‘Originally,’ states Mr. Colman, the supervising architect, ‘the ceilings in the structure were to be of concrete, and you can imagine how they would have looked along with the splendid marble walls.’” pp. 11.

(Photo caption) “Second floor corridor looking through stair hall toward the upper part of chapel, Mayfield Mausoleum.” pp. 12.

One of the Everyday Uses of Marble,” pp. 13. (removed from magazine)

The Maritime Exchange Building in New York,” pp. 14. (removed from magazine except pp. 17.)

(Photo caption) “Detail of information desk, mail box, etc., in the Maritime Exchange Building, New York.” pp. 17.

A Bank That Grew Up With Englewood, Illinois.” pp. 18-22.

(Photo caption) “Main banking room of the Chicago City Bank and Trust Company.” pp. 18.

(Photo caption) “Front end of main banking room, Chicago City Bank and Trust co. The walls are Travertine, the floor is Tennessee marble, with Belgian Black border. Counters and base are of Black and Gold marble.” pp. 19.

(Photo caption) “Entrance lobby to the Chicago City Bank and Trust Company. The fine effect of the Black and Gold marble is plainly shown here. A. Epstein, Chicago, architect.” pp. 20.

(Photo caption) “In the Safe Deposit lobby, as elsewhere in the Chicago City Bank and Trust Company, the marble treatment produces an impression of spick-and-span cleanliness.” pp. 21.

(Photo caption) “Real Estate Loan Department of the Chicago City Bank and Trust Company.” pp. 22.

The National Breweries Building, Montreal.” pp. 23-26.

(Photo caption - none) Photograph of the National Breweries Building in Montreal, Canada, in Chaboillez Square. pp. 23.

(Photo caption) “Main floor lobby, National Breweries Building, Montreal, Canada. Lunel Notre Dame ‘A’ wall panels, with bands of Bois Jourdan and base of Black and Gold, feature the marble treatment.” pp. 24.

(Photo caption) “Second floor elevator hall, National breweries Building, Montreal. The floor here is of two types of Tennessee marble with Belgian Black borders.” pp. 25.

(Photo caption) “Second floor lobby, National Breweries Building, Montreal, Canada. The architect was H. L. Fetherstonhaugh, of Montreal.” pp. 26.

A Truly Magnificent Product: A Few Examples of the Use of Marble in the Home.” pp. 27-32.

(Photo caption) “A man’s bathroom in a Palm Beach residence. The floor, tub, shower and laboratory are of French Grand Antique (black and white) marble.” pp. 27.

(Photo caption) “In this lady’s bathroom - also in the Palm Beach residence referred to in the text - the floor is of yellow and white marble squares, laid alternately. The tub, laboratory and wall base are of Yellow Siena marble. Marion Sims Wyeth, of New York, was the architect.” pp. 28.

(Photo caption) “A lady’s bathroom in a residence at Southampton, Long Island, N.Y. The lavatory is of Yellow Safra marble as is the wall base. The architect was Hiss and Weeks, of New York City.” pp. 29.

(Photo caption) “Another view of the Southampton, L.I., bathroom, shown on the preceding page. The tub is of Yellow Safra marble.” pp. 30.

(Photo caption) “Breakfast loggia of a Southampton, L.I., residence. The floor is of squares of French Grand Antique marble laid in diagonally arranged rows. The base is of the same kind of marble.” pp. 31.

(Photo caption) “Backgammon table in a Southampton, L.I., residence. The top is of Royal Jersey Green, Rouge Antique and Belge Grand Antique marbles.” pp. 32.

Personality in a Modern Skyscraper.” pp. 33-38. (pages 33 and 34 of the article were torn from magazine)

(Photo caption) “Close-up of first floor wall treatment in the Fuller Building, New York. The walls are of Istria Nuage marble with inserts of Belgian Black. Pilasters are of German Famosa marble. The architects were Walker & Gillette, of New York.” pp. 35.

(Photo caption) “Main entrance lobby from Fifty-seventh Street Entrance, Fuller Building, New York.” pp. 35.

(Photo caption) “Istria Nuage and Belgian Black formed the combination of marbles for the Fuller Building fire stairs.” pp. 36.

(Photo caption) “Typical upper corridor treatment in the Fuller Building. The walls are Rockwood Veined Stone with Belgian Black marble base.” pp. 37.

(Photo caption) “American Gray marble in one of the toilets in the Fuller Building.” pp. 38.

Home Office Building For The Baltimore Life Insurance Company.” pp. 39-41.

(Photo caption) “Entrance hall or outer lobby.” pp. 39.

(Photo caption) “In the main lobby of the Baltimore Life Building, the walls are of Florido marble, with pilasters, base and floor borders of Pyrenees Black and White. the trim is Royal Rose marble.” pp. 40.

Co-Operation.” pp. 42. (This article was removed from the magazine.)

Advertisements. pp. 43-64.

Index to Advertisers” pp. 64. (The following companies are listed.)

Frank P. Bauer Marble Co. - pp. 60

Antonio Biggi, Inc. - pp. 52.

The Bradbury Marble Company - pp. 52.

Breidster Marble Co. - pp. 46.

Carborundum Company - pp. 47.

Christa-Batchelder Marble Company - pp. 51.

Jno. J. Craig Company - pp. 58. (removed from magazine)

John J. Deery Company, Inc. - 43.

The Detroit Marble Company - pp. 60.

J. B. Ford Company - pp. 58. (removed from magazine)

F. E. Gates Marble & Tile Company - pp. 46.

The Georgia Marble Company - pp. 54, 55.

Robert K. Glass & Co., Inc. - pp. 53.

Hilgartner Marble Company - pp. 57. (removed from magazine)

C. D. Jackson & Co., Inc. - pp. 56.

Geo. W. Maltby & Sons Co. - pp. 60.

McClymont Marble Company - pp. 59

Marble Industry Employers’ Ass’n. - pp. 62, 63..

Patch-Wegner Co., Inc. - pp. 51.

Peerling Marble Company - pp. 46.

Peoria Stone & Marble Works - pp. 55.

Peter & Burghard Stone Company - pp. 64.

Phenix Marble Company - pp. 61.

St. Louis Marble Mnfrs. Credit Ass’n. - pp. 50.

Tennessee Producers Marble Co. - pp. 52

Tompkins-Kiel Marble Company - pp. 44, 45.

Vermont Marble Company - pp. 48, 49.

Yule Colorado Marble Co. - pp. 56.

List of Quarries and marble Manufacturers Represented in the Membership of the National Association of marble Dealers.” pp. 66-67.

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