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Home > Quarry Articles, Links and Books > Throvgh the Ages Magazine - List of Articles > Article List - 1927
(The articles listed below are located in various issues of Throvgh the Ages Magazine published in 1927. Peggy B. Perazzo)
(Photo caption) “The Majestic Theater, Dallas.” (Frontispiece)
“A graceful staircase in Texas marble in the Majestic Theater, Dallas. The floor is gray Georgia and black Vermont marble. John Eberson, Chicago, architect.”
“Removal of Stains From Marble: Suggestions for Treating Stains Caused by Oil, Fire, Urine, Copper and Those From General Service,” By D. W. Kessler. “(Published by Permission of the Director of the National Bureau of Standards of the U. S. Department of Commerce.)” pp. 4-11.
“Figure 1. Lubricating oil stain due to three weeks’ exposure to oil-saturated waste.” pp. 4.
“Figure 2. Oil stain shown in Figure 1 after treatment with amyl acetate and acetone mixture.” pp. 4..
“Figure 3. Linseed oil stain caused by putty on the surface for three weeks.” pp. 5.
“Figure 4. Linseed oil stains shown in Figure 3 after removal by methods described.” pp. 5.
“Figure 5. Fire stains caused by burning pine wood in contact with marble. Blackened area represents what could not be removed by scouting.” pp. 6.
“Figure 6. The very pronounced fire stains shown in Figure 5 were removed by applications of the solution described on the next page. Several treatments are usually necessary to remove such stains as these.” pp. 6.
“Figure 7. Urine stains on marble.” pp. 7.
“Figure 8. Urine stain shown in Figure 7 after its removal by method described.” pp. 7.
“Figure 9. Copper stains on marble such as form around bronze statuary. The color is green.” pp. 8.
“Figure 10. After the removal of copper stains by various methods described in the text.” pp. 9.
(Photo caption) “Faith, Hope Charity” - executed in pink Tennessee marble by A. A. Weinman, sculptor. Henry Bacon, architect. pp. 11.
“The Keith Theater and Office Building: Cleveland’s Highest Building Contains Considerable Marble.” pp. 12-17. (Cleveland, Ohio) (A photograph of the front exterior of the building is included in the article.)
(Photo caption) “The B. F. Keith Theater, adjoining the Office Building. The marble panels in the upper walls are Tinos. Chas. W. and Geo. L. Rapp, Chicago and New York, architects.” pp. 13.
(Photo caption) “The northwest corner of the main foyer of the theater, showing the marble wall treatment. To the left is the Men’s Lounge.” pp. 14.
(Photo caption) “A candelabra-clock and one of the wall panels in the Grand Hall.” pp. 15.
(Photo caption) “A stairway of Alabama marble in the Keith’s theater, Cleveland. C. W. and G. L. Rapp, Chicago, architects.” pp. 16.
(Photo caption) “Interior of Keith’s Theater, Cleveland. Statuary Vein Italian and Alabama marble was extensively used, both in orchestra and balcony.” pp. 17.
“Stability.” pp. 18.
“The suggestion of strength and permanence conveyed by the banking room built of marble is more than a source of satisfaction and pride to the builders - it is a subtle, but powerful, advertisement of actual financial stability - a condition readily reflected in the increased faith of its patrons.
“And such marble treatments are, aside from their psychological aspect, an actual economy. Because of its durability, its low maintenance costs, its ease of cleaning, and its very reasonable initial cost, marble is the most practical of materials, not only for banking rooms, but for corridor floors - wainscot and lavatory work.”
“Marble in the Buildings of Dallas - Part II,” By L. W. Hickey, Past President, Texas Branch, A.G.C. of A. pp. 19-24.
(Photo caption) “A stairway in the Dallas Municipal Building.” pp. 19.
(Photo caption) “Check desks and marble railing surrounding the basement stairway in the Republic National Bank. C. D. Hill & Co. (now Coburn, Smith & Evans), architects.” pp. 20.
(Photo caption) “Main banking room, Republic National Bank. The floor is Travertine; the walls, counters and columns are Tavernelle, with Black and Gold base and trim.” pp. 21.
(Photo caption) “Detail of fixture and wainscot treatment on the bank room floor. Republic National Bank.” pp. 22.
(Photo caption) “Public lobby of Safe Deposit Department, Republic National bank. The stairs are Tennessee, the walls Tavernelle, the floor Travertine.” pp. 22.
(Photo caption) “Memorial Hall, McFarlin Auditorium. R. H. Hunt & Co., architects.” pp. 23.
(Photo caption) “Main stairway in home of S. W. King, Dallas. J. Allen Boyle, architect.” pp. 24.
“The Renaissance in France: The Style of Louis XIV - Part II.” pp. 25-30.
(Photo caption) “Louis XIV fireplace in the Salon de Diane, in the Palace of Versailles.” pp. 25.
(Photo caption) “A corner of the main block of the Palace of Versailles, as seen from the southwest. This is the garden front. Note the effect of the arched windows, as designed by J. H. Mansart about 1680.” pp. 26-30.
(Photo caption) “Marble vase in the Bassin de Neptune to the north of the Palace of Versailles.” pp. 27.
(Photo caption) “The Hall of Mirrors in the historic Palace of Versailles. This $100,000,000 palace became the cradle of French liberty in 1789, when the articles of the French Revolution were adopted there. Underwood & Underwood, N.Y.” pp. 28.
(Photo caption) “Marble fountain at Versailles.” pp. 29.
(Photo caption) “The Arc du Peyrou, at Montpellier, designed by F. d’Orbay (1691-1710).” pp. 30.
“The Illinois War Memorial: a White Marble Temple of Peace in the Vicksburg National Military Park.” pp. 31-33.
(Photo caption) “The Illinois War Memorial, in the Vicksburg National Military Park. It was designed by Jenney, Mundie and Jensen, of Chicago, and was built a score of years ago, out of white Georgia marble.” pp. 32.
(Photo caption) “At work on the Vicksburg Memorial in 1905.” pp. 33.
“Australia House: The Offices in Great Britain of the Government of the Commonwealth of Australia.” pp. 34-38. (A photograph of the front exterior of the building is included in the article.)
(Photo caption) “Sculptural group, ‘Awakening,’ by Harold Parker, at east doorway. (Courtesy High Commissioner, Commonwealth of Australia.)” pp. 35.
(Photo caption) “The vestibule of Australia House, in Buchan (Victoria) marble, is one of the most impressive portions of this magnificent interior. A. M. & A. G. R. MacKenzie, architects.” pp. 37.
(Photo caption) “Caleula marble pillars and pilasters at entrance to library in Australia House, London, England.” pp. 38.
“A List of the World’s Marbles,” By J. J. McClymont. pp. 39-42. (“Shen Si Province” through ”Sobre”)
(Photo caption) “Marble Stairway in The Colorado Building in Washington, D.C..” (Frontispiece)
“This marble stairway in the Colorado Building, in Washington, D.C., is one of the few known instances of the use of marble from Eckel’s Mill, Maryland. The material is a mellow tone white, with a dark veining.”
“The Atlantic National Bank of Jacksonville, Florida: The Growth of the Southern City Has a Parallel in the Development of this Financial Institution.” pp. 3-6.
(Photo caption) “The main building of the Atlantic National Bank at Jacksonville, Florida. The lower portion of the façade is of Alabama marble. pp. 4.
(Photo caption) “Main banking room, Atlantic National Bank, looking north from Forsyth Street. The counters are Breche Opal marble.” pp. 5.
(Photo caption) “Looking south from Adams Street in the main banking room of Atlantic National Bank, of Jacksonville, Fla.” pp. 5.
(Photo caption) “Annex banking room in the Atlantic National Bank, Jacksonville, Fla. Floors, counters and check desks are of marble.” pp. 6.
“Giving The Home Its Due: A Problem that is Easily Solved by the Use of Marble for Floors, Radiator Tops, Mantelpieces and Elsewhere.” pp. 7-12. (A photograph of a marble fireplace is included in the article.)
(Photo caption) “Alternate squares of dark and light colored marble are always effective for entrance hall floors.” pp. 8.
(Photo caption) “This outside vestibule is paneled in marble; the side lights and transom, too, are outlined by strips of heavily veined marble.” pp. 9.
(Photo caption) “Main hall in the residence of Thomas D. Vrendenburgh, II, at Springfield, Ill. The floor is white Italian and Verde Antique marble.” pp. 10. (Springfield, Illinois)
(Photo caption) “Drawing room and music room in the Vredenburgh residence. The floor is white Italian marble with a Verde Antique border.” pp. 10.
(Photo caption) “Library in the Vredenburgh Home, showing Tennessee marble floor and Italian marble mantel. The floor border is Verde Antique marble.” pp. 11.
(Photo caption) “Another view of the drawing room and music room in the home of Mr. Vredenburgh at Springfield, Ill.” pp. 11.
(Photo caption) “A bathroom of marble is the acme of inviting cleanliness.” pp. 12.
“A Financial Centenarian: The Bank of America Has Occupied the Same Site For About a Hundred Years.” pp. 13-15. (New York City) (A photograph of the exterior of the bank is included in the article.)
(Photo caption) “The Bank of America, in New York City. Belgian Black and Alabama Cream marbles were used in the floor; Napoleon Gray was employed for the columns, wainscoting and bank screen. Trowbridge and Livingston, architects.” pp. 14.
(Photo caption) “Lower façade, Bank of America.” pp. 15.
“One of the Everyday Uses of Marble.” pp. 16.
“The polished surface of marble is non-absorbent, practically stainless and very easy to keep clean. It cannot serve as a culture medium for germs - it is inherently sanitary.
“With all of its special advantages for lunch room and soda fountain installations, marble has a beauty that is without an equal, and it comes in an almost unlimited range of colors.”
“The Renaissance in France: The Style of Louis XIV - Part III.” (“Illustrations courtesy Mr. Thomas Machen, architect, Baltimore.”) pp. 17-24.
(Photo caption) “Church of St. Elizabeth, in Paris.”
(Photo caption) “The west front of the Cathedral of Auch, built in 1662, with Louis XIV detail but otherwise in accordance with a design laid down a century earlier.” pp. 19.
(Photo caption) “The Cathedral at Nancy, began 1703.” pp. 20.
(Photo caption) “St. Thomas d’Aquin, in Paris.” pp. 21.
(Photo caption) “The interior of the ‘Dome des Invalides,’ begun 1693 and finished in 1706. By Mansart.” pp. 22.
(Photo caption) “Les Invalides, Paris.” pp. 23.
(Photo caption) “Court of the Hôtel Soubise, in Paris, by Pierre de la Maire.” pp. 24.
“The Memorial Art Gallery at Rochester, New York,” By Vera B. Wilson, Publicity Director, Rochester Chamber of Commerce.” pp. 25-30. (A photograph of the front exterior of the building is included in the article.”)
(Photo caption) “Fountain Court in the new addition to the Memorial Art Gallery in Rochester, New York. The fountain and the columns along the walls are of Verona marble. The floor is of Roman Travertine and a base of Tennessee.” pp. 26.
(Photo caption) “Looking through the arches of the entrance corridor, showing the Hall of sculpture, Memorial Art Gallery.” pp. 27.
(Photo caption) “‘Bishop of Amiens’ - a statue in the Fountain Court of the Rochester Memorial Art Gallery.” pp. 28.
(Photo caption) “‘Pan’ - a statue in the Children’s Museum in the Rochester Memorial Art Gallery.” pp. 28.
(Photo caption) “Marble fountain in Fountain Court, Rochester Memorial Art Gallery.” pp. 29.
(Photo caption) “Marble statue of ‘Memory’ in the Hall of Sculpture, Memorial Art Gallery, Rochester, N.Y.” pp. 30.
“Why Some Marbles Lose Popularity Through Misuse By Admirers.” pp. 31-32.
(Photo caption) “Napoleon Gray marble columns in the Missouri Capitol. Tracy and Swartwout, New York, architects.” pp. 32.
“The Permanent Home in London of The English-Speaking Union: The First of a Chain of Club Houses Visualized by the Founders of the World-Wide Movement.” pp. 33-36.
(Photo caption) “Pettitor and Campam Melange marble in the entrance hall of Dartmouth House.” pp. 33.
(Photo caption) “Staircase hall of marble in Dartmouth House, London, England. The building was remodeled recently under the supervision of Mr. Clough Williams-Ellis, architect, of London.” pp. 34.
(Photo caption) “Main staircase, Dartmouth House, London.” pp. 36.
“A List of The World’s Marbles,” By J. J. McClymont. pp. 37-42. (“Sodalite” through “Summit Hill Quarries”)
(Photo caption) “Doorway, Seamen’s Bank For Savings.” (Frontispiece)
“Carved marble doorway to the Seamen’s Bank for Savings, Wall Street, New York. The architect was Benjamin W. Morris; the material is Napoleon Gray.”
“Two Southern Structures: An Instance that Evidences the Fact that Marble for Interior Finish is a Highly Profitable Investment.” pp. 3-4.
“The Growth of Grand Rapids, Mich.: As in Most American Cities, Marble is Playing an Important Part in Its Development.” pp. 5-10. (Grand Rapids, Michigan)
(Photo caption) “Entrance to the Grand Rapids Trust Company Building, Grand Rapids, Mich.”
(Photo caption) “The Grand Rapids Trust Company, Grand Rapids. Smith, Hinchman and Grylls, architects.” pp. 6.
(Photo caption) “Grand stairway to Trust Quarters, Grand Rapids Trust Company. The lobby floor and the treads and risers of the stairs are Travertine. The wainscoting and strings are Botticino.” pp. 7.
(Photo caption) “The head of the stairway in the Grand Rapids Trust Company, as seen from the Trust Company quarters.” pp. 8.
(Photo caption) “Main banking room of the Grand Rapids Trust Company. The marbles shown are Travertine, Botticino and Tinos.” pp. 8.
(Photo caption) “Building lobby, Grand Rapids Trust Building, Grand Rapids, Michigan. The walls are of Botticino marble; the floors are of Travertine.” pp. 10.
“One of the Everyday Uses of Marble.” pp. 11.
“Because it is inherently sanitary, impervious to water and exceedingly durable, marble appears especially to those who, in planning for bathrooms in their homes, wish to combine beauty and utility.
“This beauty of marble is inimitable - and universally appreciated. Nor is its use beyond the reach of the most modest purse, for marble is so reasonably priced as to be actually the most economical of all interior finishes.
“There is No Substitute for Marble.”
“The Laboratories of The Department of Agriculture: A Long-Forgotten Incident of Roosevelt’s Life Recalled by Recent Congressional Action.” pp. 12-16.
“The passage last May 26, 1926, of an act that would provide for the erection of a central unit to the laboratory buildings of the Department of Agriculture in Washington, brings to mind a forgotten episode in the life of that forceful and able man, Theodore Roosevelt....”
(Photo caption) “Illustration from an old photograph showing ‘Laboratory A’ of the Department of Agriculture as it appeared on November 6, 1905. Note the marble blocks, each crated separately and carefully marked just as received from the mill.” pp. 12.
(Photo caption) “‘Laboratory A,’ or east wing of the Department of Agriculture’s handsome marble building, as it appeared on May 27, 1907. Rankin, Kellogg and Crane, architects.” pp. 13.
(Photo caption) “West Wing, or ‘Laboratory B,’ of the Department of Agriculture, Washington, D.C. Light colored marble from Vermont was used for the exterior.” pp. 14.
(Photo caption) “This full-size plaster model of a section of ‘Laboratory A’ was erected in April, 1905, close to the site of the structure.” pp. 15.
(Photo caption) “Self-supporting marble stairway on the first floor of ‘Laboratory A,’ Department of Agriculture, Washington, D.C., as it appeared during its construction.” pp. 16.
“French Renaissance Architecture: The Style of Louis XV - Part I.” pp. 17-22.
(Photo caption) “Ceiling in the Queen’s Bedchamber, Palace of Versailles.” pp. 17.
(Photo caption) “Detail in the ceiling decoration in the style of Louis VI in the Queen’s Bedchamber at Versailles, a room which Eudore Soulié declared had seen ‘the greatest joys and the profoundest sorrows of the ancient monarchy.” pp. 18.
(Photo caption) “Doorway in the Queen’s Bedchamber at Versailles.” pp. 19.
(Photo caption) “Decoration in the Regency Style in the Galerie Dorée, in the Bank of France, the work of Robert de Cotte. This was formerly part of the Vrilliére.” pp. 21.
(Photo caption) “Decorations in the ‘Salon des Médailles,’ in the Palace of Versailles, France.” pp. 22.
“Salt Lake City, Utah: The Use of Marble In the State Capitol and Other Buildings.” pp. 23-30.
(Photo caption) “Marble mantel in the Governor’s reception room, Utah State Capitol, Salt Lake City.” pp. 23.
(Photo caption) “The Utah State Capitol has a certain resemblance to the National Capitol in Washington. Granite, however, was used for the Exterior walls and columns. R. K. A. Kletting, architect.” pp. 24.
(Photo caption) “Marble in the Senate Chamber of the Utah State Capitol, Salt Lake City, Utah.” pp. 25.
(Photo caption) “Statue of Sachem Massasoit in the Utah State Capitol.” pp. 26.
(Photo caption) “Showing the peculiar veining in the marble of the main vestibule, Utah State Capitol.” pp. 25.
(Photo caption) “One end of the rotunda of the Utah State Capitol, Salt Lake City.” pp. 27.
(Photo caption) “The stair court and the rotunda, with a wealth of marble in floor and walls.” pp. 27.
(Photo caption) “High Altar in the Cathedral of the Madeleine, Salt Lake City. Golden Travis and Utah Cream marbles form a study in effective contrasts. C. M. Newhausen, architect.” pp. 28.
(Photo caption) “Marble in the main lobby of the L.D.S. Church Administration Building, Salt Lake City. D. C. Young & Son, architects.” pp. 29.
(Photo caption) “Lobby in the Ezra Thompson Building, Salt Lake City. Pope & Burton, architects.” pp. 30.
“Eight Miles of Wainscot: The Union Trust Company of Cleveland Contains Three Hundred and Nineteen Carloads of Marble.” pp. 31-35. (A photograph of the interior of the building is included in the article.)
(Photo caption) “Example of matched veining in the Alabama marble wainscot of the Union Trust Building, Cleveland.” pp. 32.
(Photo caption) “There are over eight miles of this marble wainscoting, five feet high, in the Union Trust Building, Cleveland.” pp. 32.
(Photo caption) “Botticino wainscot in the Mid-Day Club quarters.” pp. 33.
(Photo caption) “Black and Gold marble fireplace in the President’s office, Union Trust Company, Cleveland.” pp. 34.
(Photo caption) “Formosa marble fireplace in the Directors’ Room, Union Trust Building, Cleveland.” pp. 35.
(Photo caption) “Mantel of Utah Cream marble in the L.D.S. Church Administration Building, Salt Lake City.
“Broadcasting Marble’s Virtues.” pp. 36.
“Yours for the asking - ” pp. 37.
“A number of attractive folders, each suggesting and illustrating a particular use of marble, are yours for the asking. Any, or all of them, will be gladly sent you upon request. These suggested everyday uses of marble are particularly appealing, and evidence the utility, decorativeness and economy of this inimitable material:
“The list of these printments follows; simply check the ones that interest you, and write Department C-12. No obligations - of course.
Marble’s Place in the Home.
Distinctive Bank Interiors.
Marble in Office Buildings.
Better Lavatories are of Marble.
Hygiene in School Buildings.
Impressing the Hotel Guest.
Maintaining Sanitation in Hospitals.
Marble Within the Church.
First Impressions on the Theater Goer.
Marble for Store Interiors.
Giving Distinction to the Apartment House.
Marble in Library Buildings.
Marble in Lunch Rooms.
The Superiority of the Marble Floor.
The Bathroom Comes Into Its Own.
Giving the Kitchen Its Due.
Marble in the Garden.
The Economy of Marble Store Fronts.
National Association of Marble Dealers, Rockefeller Building, Cleveland, Ohio
There is No Substitute for Marble.
“This is one of a series of advertisements appearing in the current issues of Atlantic Monthly, World’s Work, Scribner’s, Review of Reviews, Harper’s, House and Garden, Hospital Management, Buildings and Building Management, American Bankers Association Journal, American School Board Journal and American City.”
“Marble Floors: Suggestions About the Proper Method for Laying Them.” pp. 38.
(Photo caption) “The floors of the entrance vestibule, lobbies and elevator halls of the Wrigley Building, in Chicago, are of Carthage marble. The corridor floors throughout are of Alabama marble. Graham, Anderson, Probst & White, architects.” pp. 39.
“A List of The World’s Marbles,” By J. J. McClymont. pp. 40-42. (“Sunday Stone” through “Taormina Brecciato”)
(Photo caption) “Check Desk, Foreman National Bank.” (Frontispiece) (Chicago, Illinois)
“Check desk of Galena Siena and Belgian Black marble in the Foreman National Bank, Chicago; Charles S. Frost, Chicago, architect.”
“The Twelve-Story Building of The National Bank of Tampa: Travertine and Tavernelle Were Used to Good Effect.” pp. 3-6. (Tampa, Florida)
(Photo caption) “The First National Bank of Tampa, Florida.” pp. 4.
(Photo caption) “Interior of First National Bank at Tampa, looking from the rear of main lobby, at right angle into the ‘ell,’ showing the mezzanine.” pp. 5.
(Photo caption) “Savings Department, First National Bank, Tampa.” pp. 6.
“The Cunard Building: The Great Hall, on the First Floor, Reflects the Spirit of the Roman Baths and Early Italian Villas.” pp. 7-13. (A photograph of the front exterior of the building is included in the article.)
(Photo caption) “The entrance at the east end of the Great Hall.” pp. 8.
(Photo caption) “Office-building vestibule and elevator lobby.” pp. 9.
(Photo caption) “The west end of the Great Hall in the Cunard Building. Benjamin Wistar Morris, New York, architect.” pp. 1.
(Photo caption) “Mantel of Levanto Marble in the Board Room of the Cunard Building.” pp. 12.
(Photo caption) “Mantel of Vert Corral marble in one of the private offices in the Cunard Building.” pp. 12.
(Photo caption) “Ionic column screen of Travertine in the Great Hall of the Cunard Building. Benjamin Wistar Morris, architect.” pp. 13.
“The Time Element A vital Factor in The Cost of Marble Finish.” pp. 14-15.
(Photo caption) “Lobby of Hurt Building, Atlanta, Georgia. Hugh Tallent, architect.” pp. 14.
(Photo caption) “Lobby of the Insurance Company of North America Building, Philadelphia. Stewardson and Page, architects.” pp. 15.
“A Century of Progress: The Farmers National Bank of Reading, Pa., Occupies its New Building.” pp. 16-22. (A photograph of the front exterior of the bank building is included in the article.)
(Photo caption) “Main banking room, Farmers National Bank, Reading, Pennsylvania. Alfred C. Bossom, New York, architect.” pp. 17.
(Photo caption) “The mezzanine floor treatment at the rear of the main banking room, Farmers National Bank.” pp. 18.
(Photo caption) “The front of the banking room at the mezzanine level. Many different kinds of marble are shown here.” pp. 19.
(Photo caption) “Front stairway leading to the basement, showing rusticated ashlar of Tavernelle Claire marble.” pp. 20.
(Photo caption) “The treads and risers of the basement stairs are of Pink Tennessee marble; the wall bases are York Fossil.” pp. 21.
(Photo caption) “The unique fireplace in the Director’s Room of the Farmers National Bank, Reading, Pennsylvania.” pp. 22.
“One of the Everyday Uses of Marble.” pp. 23.
“For those portions of a building that bear the brunt of daily contact with the scraping feet and careless hands of that critical public throng found in any American city, marble is at once the most beautiful, the most practical and the most economical material that it is possible to secure.
“There is No Substitute for Marble.”
“French Renaissance Architecture: The Style of Louis XV - Part II.” (“Illustrations courtesy Mr. Thomas Machen, architect, Baltimore.”) pp. 24-29.
(Illustration caption) “Part of the Grand Oval Salon de Rohan, in the Hôtel de Soubise, Paris.” pp. 25.
(Illustration caption) “Ceiling decoration in the de Rohan Salon of the Hôtel de Soubise, Paris.” pp. 26.
(Illustration caption) “Mantelpiece in the saloon of the Ministère des Travaux Publics, Paris.” pp. 27.
(Illustration caption) “Detail of doorway and decoration in the saloon of the Ministère des Travaux Publics, Paris.” pp. 28.
(Illustration caption) “Façade of the Hôtel de Ville at Abbeville. Additions to this structure were made in 1747 by the famous architect, J. H. Mansart.” pp. 29.
“Of Interest to The Architect.” pp. 30.
(Photo caption) “Band Course around wall in Great Hall of Cunard Building.” pp. 30.
“Ex-Governor Edwards’ Bank: The First National of Jersey City, N.J., Makes Extensive Use of Black and Gold Marble.” pp. 32-34.
(Photo caption) “The entrance vestibule of the First National bank at Jersey City, New Jersey, is wainscoted the full height of the room with Black and Gold marble. The architect was Alfred C. Bossom, of New York.” pp. 33.
(Photo caption) “Main banking room, First National Bank, Jersey City, New Jersey.” pp. 34.
“Lavatories in Public Buildings: Considerably More Attention is Given Nowadays to Their Appearance and Location.” pp. 35-36.
(Photo caption) “A typical toilet room in the Hurt Building at Atlanta Georgia. Hugh Tallent, architect.” pp. 36.
“A List of the World’s Marbles,” By J. J. McClymont. pp. 37-42. (“Taormina Marbles” through “Tournon Marbles”)
“Index to Advertisers” pp. 65.
Alabama Marble Company - pp. 55.
Andres Stone & Marble Company - pp. 63.
F. De Bellegarde, Inc. - pp. 51.
Antonio Biggi - pp. 59.
The Bradbury Marble Company - 48.
Candoro Marble Company - pp. 56.
Carthage Foundry & Machine Works - pp. 59.
Carthage Marble & White Lime Company - pp. 52.
Christa-Batchelder Marble Company - pp. 65.
Jno. J. Craig Company - pp. 44.
Davia Bros. Marble Co. - pp. 63.
John J. Deery Company, Inc. - pp. 56.
The Detroit Marble Co. - pp. 50.
Drake Marble Company - pp, 57.
J. B. Ford Company - pp. 46.
F. E. Gates Marble & Tile Company - pp. 63.
The Georgia Marble Company - pp. 64.
Robert K. Glass & Company, Inc. - pp. 47.
Gray Knox Marble Company - pp. 45.
Henry Marble Company - pp. 54.
Hilgartner Marble Company - pp. 49.
Geo. W. Maltby & Sons Co. - pp. 54.
McClymont Marble Company - pp. 53.
Northwestern Marble & Tile Company - pp. 52.
Peerling Marble Company - pp. 46.
Peter & Burghard Stone Company - pp. 52.
Phenix Marble Company - pp. 61.
Rees-Volckmann & Company - pp. 50.
Salomone-O’Brien Marble Company - pp. 60.
F. W. Steadley & Company, Inc. - pp. 58.
Sunderland Bros. Company - pp. 50.
Taylor Marble & Tile Company - pp. 46.
Tompkins-Kiel Marble Company - pp. 62.
Troy Brothers & Company - pp. 48.
Union Marble & Tile Company, Inc. - pp. 44.
Vermont Marble Company - pp. 43.
“List of Quarries and Marble Manufacturers Represented in The Membership of The National Association of Marble Dealers.” pp. 66-67.
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